Thirty-five years ago, I witnessed the kidnapping of a man I know. He has disappeared since. Ten years ago, I caught a glimpse of his face while walking in the street, but I wasn’t sure it was him. Parts of his face were torn off, but his features had remained unchanged since the incident. Yet something was different, as if he wasn’t the same man.

This Movie Is a Gift is a movie about the artist Daniel Spoerri. Actually it's a movie about a thought by Daniel Spoerri: a movie almost without Daniel Spoerri, actually he is mostly re-enacted by a child - not to say anything less than that everything always goes on in life somehow, even if you die in between.

Hot summer has come to their tiny village in the Cuban countryside, Leonel and Antuán intimately explore their universe far from adults. With a considerable difference in age, their unique friendship is torn between games and fights, conversations about everyday life, existentialist questions, simple pleasures, and boredom.

A lyrical essay in five parts, Evaporating Borders is told through a series of vignettes that explore the lives of political and economic refugees on the island of Cyprus. The film explores the themes of displacement, belonging, identity, and migration.

A documentary about populism and its absurd consequences.

In a hospital room, the Daughter recalls a childhood moment when as a little girl she tried to share her experience with an injured bird with her Father...

In a remote village in western China, long-time primary school teacher Shen and newcomer volunteer Bao come into conflict. It is a clash of generations: youth versus experience, trust versus suspicion.

During the Stalin era, millions of prisoners lost their lives along the 2,000-km-long Kolyma highway in northeast Russia. Director Stanislaw Mucha follows the route in search of life there today.

Five veterans talk about their experiences of war and the process of adjusting to civilian life back home

The central character, a man who, having leased a feline companion for a single day, laboriously tries to return him the next to avoid a fine and in the process, experiences endless drama.

Případ pro začínajícího kata (Case for the New Hangman, 1970) is a free adaptation of Jonathan Swift’s satire Gulliver’s Travels (first published in 1726).

In a kingdom ruled by a young and unpredictable king, the military commander has a secret weapon: a shadow , a look-alike who can fool both his enemies and the King himself. Now he must use this weapon in an intricate plan that will lead his people to victory in a war that the King does not want.

Six weeks is an intimate and powerful short that documents a mother’s painful goodbye as her baby, along with so many other babies, awaits its future in a Polish orphanage.

Thies (9) and Jorn (11) grow up in a traditional hunter’s family. How will their friends respond to this particular lifestyle?

Two brothers, who managed to escape Soviet work camp, are unable to escape from each other. They love but at the same time they hate each other.

A park in the fog. Crows flap and caw in the sky. Mysterious things are happening. Shots ring out. What is actually going on? Can we humans really trust our own perceptions?

Social networks allow refugees to follow the actions and crimes happening in their countries in real time. Sand and Blood is a montage of amateur videos from various online platforms, narrated by refugees now living in Austria.

Successful architect ignored by the status quo, untiring polemicist, old-school bon vivant and saintly heretic in Castrist Cuba.

In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness.

In the year 1988, Chuchu Fasanelli and Walter Kolm, two 24- and 20-year-old young men, founders of the Radio Trípoli label, released Invasión 88, the first punk and hardcore compilation in Argentina. This documentary tells that story, that of the birth of a cry of freedom in the shape of translucent vinyl.

"The cinephiles" are retired women from Spain, Uruguay and Argentina, who go to the cinema every day. Like a water drop, fiction hits their lives and leaves track on their memory.

In Puerto Pirámides, streets have no name. Julia, a teacher in the only existing school in the area, develops a school project that engages her students in a shared goal: look for names for the streets.

The filmmaker’s family falls into crisis when her father is diagnosed with Parkinson’s disease – a condition in which the brain stops producing dopamine, the hormone responsible for muscle movement and happiness.

If Argentine television is the medium that has best portrayed the fatal grimace of recent history, it seems it’s not so much due to its cynicism or its artistic pretensions but, rather, for its capability to amplify. Everything we see in this film really happened, with that same exuberance and excess.

Almost fifteen years after I Don’t Know What Your Eyes Have Done to Me, one of its directors reunites with the lost footage of their first encounter with Ada Falcón. A “silent scenes” triggers his search in order to decipher the enigma of the absent voice, in an emotional journey where film becomes a path to retrace time.

An abandoned trunk inside a dumpster, inside, the full scores of one of the most important Argentine big band in the 40s, Hector and his great jazz orchestra.

An encounter between a girl and a tree doctor in Nagasaki´s forest. A horse tamer searches for a wild animal across a timeless wasteland.

There are lots of movies about Christmas. Many, too many, perhaps. But this is not a movie about Christmas. This is a movie about the construction of fiction, about the protagonists of the charade, about those exploited by the system, about the mercenaries of performance.

We all know what ventriloquism is but no one knows how the relationship between a ventriloquist a his dummy is. Below the stage ventriloquist’s life continues...

General Alfredo Ovando Candia was a decisive figure in 20th century Bolivian history. Through old home movies and institutional footage, Mauricio Ovando goes in search of the figure (and the shadow) of his grandfather, interweaving his history and History while going after an uncomfortable truth.