In the intimacy of Argentine public health, the movie reveals the stories of teenagers who decide whether or not to proceed with pregnancy.

Constantin, Sarah and Gregor live in a polyamorous relationship. The film follows them on their search of a mindful way of dealing with each others emotions.

Through the testimonies of the soldiers who implemented it, director Avi Mograbi provides insights on how a colonialist occupation works.

An 18-year-old girl is killed in a bitter family feud in the Albanian highlands. Her christian father is pressured to break the vicious cycle of conflict.

A road movie documentary through half-a-century of filmmaking by Želimir Žilnik.

Elitza Gueorguieva films the making of the novel that her Belarusian alter-ego Aliona begins about her father, a maritime adventurer, who disappeared in 1995.

The film recounts the transition from heavy industry – which characterised production in the 19th and 20th centuries – to logistics managed by digital systems.

Deeply personal and visually experimental biography of second-wave feminist, radical activist and journalist Judy Rebick.

How is it like to be forced to wait while people are drowning just a few miles away? An insight into the absurdity of European migration policy.

A rebellious worker before retirement is committed to saving his factory.

A film about a friendship between the filmmaker and a fisherman. One lost his mother-tongue because of a stutter, the other lost his hearing during the war.

The same things happen every day in chapiteau Joy: performers disassemble and assemble the tent with a starry dome, give perfomances, move to another place.

In a country where suicide is epidemic, the power of human connection becomes lifesaving.

With great visual poetry, the documentary portrays the simple and meaningful moments in the life of the family.

An unusual duet, a cardinal and an imam are struggling together for peace and inter-religious coexistence in the Central African Republic.

The film ‘Viva Maria’ is a tale of passion, sacrifice and devotion, and is an extraordinary story of passing down a voice...

Taking its title from the poem by Wallace Stevens 13 Ways of Looking at a Blackbird is composed of a series of attempts of looking and being looked at.

A diachronic tale of looking and becoming. As in a game, as in a chase, the film errs between character and land, land and character, predator and prey.

Ana Vaz returns to her genesis' through the reconstruction marking the encounter of her parents' in 1985 in Brazil, in juxtaposition with other found footage.

A meditation and a reverie upon a city at once real and imagined. A requiem for a city dreamt between its past and present.

A film-poem of an ecology of signs tracing a colonial history repeating itself: celebration and power relations, objects and fetishes, roots and branches.

Ana Vaz draws parallels between the Nord-Pas-de-Calais region and the Brazilian State of Minas Gerais, both marked by three centuries of mining.

The film is a documentary observation of life in closed‑off settlements located in a military zone less than 5 kilometres from the gaza strip.

Obese boy Wojtek is not only lacking self-confidence, but is also ashamed of his mother Dorothy, who is in charge of a run-down grocery store.

The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family ́s break-up but also trying to understand.

Insect is an adaptation of a comic book by the German creator Sascha Hommer.

After her rawly authentic portrait of René (2008), Helena Třeštíková comes up with another testimony about the life of an incorrigible delinquent and a shrewd .

A group of Europeans traveling on the Trans-Siberian railroad is taken captive by a Mongolian tribe.

People, monsters, sensations. The beguiling images in Ulrike Ottinger's Prater transform this mythical Viennese attraction into a cinematic experience.

The head of powerful media company decides to manufacture (and then publicly destroy) its own celebrity: the wealthy, handsome playboy Dorian Gray.