Cielo is a cinematic reverie on the crazy beauty of the night sky, as experienced in the Atacama Desert, Chile, one of the best places on our planet to explore and contemplate its splendour.

A poetic documentary about life in a war‑torn Chechen village, with the cemetery as its symbolic focal point. The village lives and breathes in unison.

Cunning and slender, harassed and on the run, Reynard is a metaphor of a never ending obsession with each breath, each gesture, each thought. Marta seeks in the emptiness of her body a way to arrive to her inner essence, in an abstract search of a free spirit that might end in her own enclosure.

This is a film about the power of speech as political performance: we are transported to a Black Panther rally held on February 17th, 1968, at Oakland Auditorium in Alameda, California.

We are in 1989 and the Berlin Wall has just fallen, and for the first time Bulgaria sees its people swell the streets with youthful energy, prompted by a shared dream - Democracy.

Ultimate refuge for the leftovers of the American dream, the motels in the United States houses a population of drifting humans who, from crisis to crisis -­­ economic and personal -­­ have been dispossessed of everything.

The Sky Commodified explores the territorial complexities of the emerging astro-industry in the Chilean Desert. Entangling the perspectives of the human and non-human, indigenous and foreign inhabitants of the Atacama, the film addresses notions of presence and progress, focusing on the social impacts that they have.

Deep in South-East Cameroon, the great primary tropical forest shelters a territory for which colonial powers fought, exploiting through forced labor the prodigious resources of nature. At the heart of this region, the people are now mobilized around an economy of survival — the consequence of this history.

A story of six young refugees who have started a new life in Germany. As children they were driven from their families and their homeland by misery and violence. After their arrival in Germany they are accommodated as “orphans” in youth homes.

An anthropological documentary about unlocked doors, fun and conflict in geographical isolation.

The film combines places and landscapes of the Mediterranean island of Corsica with travel diary entries by Gustav Flaubert which he noted down during a round trip in 1840.

An intimate and inside perspective on the Calais 'jungle', evoked through a polyphony of men, tales and atmospheres.

In the heart of a Corsican forest at night, a woman dreams of hunting. After killing, as she looks into the eyes of dead wild animals, she can see faces. Those of people who in real life are about to die.

The film exposes closing hours and night time heartbeat of Tallinn shopping mall: a place built to entertain and mirror the world.

The film makes a portrait of intellectual Polish left movement calls “Political Critique”, and depicts a conflict between this left-wing group and a right-wing power on the Polish political stage.

Originally there was a silence. That of Malek, the filmmaker's father, who for years said nothing of his childhood in Algeria. And then, the need to break the silence, with a script that he gives to his children, to start telling his story.

Our film preserves the memory of an old woman in Barcelona who represents a world gone-by of old arias on vinyl records.

A film about three sisters living in a Roma settlement in the Polish mountains. Cassandra, Soraja and Clara feel lost in Polish society...

Piotr comes to Poland, to his parents’ house. Nothing will remain unambiguous in the maze of facts, interpretations of events and emotions...

A three-hundred-kilometer unmaintained dirt road is the only way to reach the nearest hospital from a remote African village...

The documentary records café conversations of the owners a week before closing the café for good.

Libreville, Gabon, 2016. Christ, a young boxer, trains relentlessly by day and earns his living as a doorman at nightclubs. At the same time, another combat is being played out, or played out again —that of the presidential election.

This is a student exercise made when the director was studying for his MA at UCLA; all aspects including story, script, and character design were independently conceived.

Theatre Quarterly leaped on stage in 1965 with a literal bang by breaking a fragile plaster gong and the performance at the Tien Educational Center of two absurdist theatre pieces, The Prophet and Waiting for Godot. This film interviews those involved in the performance and recreates the plaster gong while weaving in archival footage.

Fruits on sale – Sharpening knives – Getting groomed by a barber – A bit of sweat on the nape – Fans and flies. In these freckled, disjointed montages of everyday life, we see a faint hint of an upcoming festival as the theatre troupe sound its drums...

At the 1966 Modern Poetry Exhibition, each artist chose their favorite modern poems and transformed them into imagery. This film captures some of the exhibits, as well as the young artists, a time capsule of an event that is seeing the light of day 52 years after it was created.

51 years later, actors CHUANG Ling and LIU Ying- shang are invited back to the original site to recreate a play from 1965.

On a morning in 1966, as requested by the director, artist XI De-jin ran around the Ren'ai Road Roundabout, while an 8mm camera tagged along, layering each slow frame of film upon the next.

This calm, family-centred film documents the first 18 months of the life of the director's eldest daughter.