András Szirtes
(Hungary)

András Szirtes was born in 1951 in Budapest, Hungary. He made his very first films under the strong influence of the film avant-garde, especially another Hungarian filmmaker János Tóth. Szirtes’ work is closely bonded with the Béla Balázs Studio. Even his early works are strongly personal; his films show unmistakeable traces of a personal diary, and the author’s physical self is a part of nearly every picture. Szirtes’ top project undoubtedly is Diaries/ Napló (1979–2004). He finished cutting the first eight parts of this intimate film testimony in 1983. He continued recording his everyday life after he had left for the USA, and finished the second series of eight in 2003. His poetic film opus Dawn/ Hajnal (1973–1980) was also being born during several years, using nine hours of raw material and six thousand photographical motives. The screenplay for another major picture Gravitation/ Gravitácio (1981) was already finished in 1981. Unfortunately he wasn’t able to raise enough funds for the project, so he made a montage film, composed mainly of archive shots, whose aim was, literally, 'to kick in the ass’. A cynical, anarchic picture, with themes reflecting both physical and social attraction, is a collage of dead bodies and meat grinders, gunshots, mirrored games and scratches on the film reel. In 1983, Szirtes made his first feature-length film, a musical and lyrical essay The History of Pronuma Boys/ A Pronuma boyok torténete (1983) that opens with swearing at the audience who 'intend to watch that stupid movie’. After the Revolution/ Forradalom után (1989) was made as a virtue of necessity: the picture was shot, due to the lack of money, using low-quality video material, and when finished, Szirtes said that it was his cat that made it. Last Szirtes' project made in Béla Balázs Studio is The Baby’s Breakfast/ A kisbaba reggelije (1995). The director shot this film using the original hand crank Debrie camera and Gaumont projector, and presented it in Grand Café in Paris exactly one hundred years after the Lumière brothers’ first film show.
"I have never shot real documentaries. My films are deeper, more personal. Whenever I got invited to a film festival, they always hesitated when it came to characterising my work. It is sometimes an experiment, sometimes a very personal testimony, once full of fiction, next time rather documentary. That’s why I always asked to label my work simply “szirtesfilmS," says András Szirtes.

Filmography
La rencontre / Meeting
2010
Juliette
2007-09
K. Z. emlékei / Memory of K. Z.
2006-07
Tiszta szívvel / Open Hearted
2003-04
Az utolsó mohikán / The Last Mohican
2001-02
Napló No.17. Mikrokozmosz I-VII / Diaries No.17 Microcosmos I-VII
2000-03
Napló No.16. Lujzika / Diaries No.16, Lujzika
2000-03
Budapestről jut eszembe / A propos the Budapest
2000-01
Triptichon
2000
A lélek súlya / The Weight of the Soul
1998
Fejezetek a Balázs Béla Stúdió történetéből / Chapter from the History of Studio Bela Balazs
1997-98
A kisbaba, a kutya meg én / The Baby, the Dog and Me
1996
Dear Daughter
1995-2004
Bevezetés a filmkészítés rejtelmeibe, I-VIII / Introducing the Film I-VIII
1993-96
A kisbaba reggelije / The Baby's Breakfast
1993-95
Sade márki és élete / Marquis de Sade and his life
1990-93
Üzenetek a Holdról / Messages from the Moon
1990
Új kormány a hegyen / New Goverment on the Hill
1989
Forradalom után / After the Revolution
1987-89
RAP levelek / Rapletters
1987
UFO
1987
Lenz
1984-85
A Pronuma Bolyok története / The History of Pronuma Boys
1983
Tükör-tükröződés / Mirror-reflection – together with Lujza Gecser
1982
Gravitáció / Gravitation
1981
Napló No.1-8 / Diaries No.1-8.
1979-83
Napló, no. 9-15 / Diaries No.9-15
1979-2000
Woyzeck
1979
Hajnal / Dawn
1973-80
Madarak / Birds
1973-76
Szelet / Slice
1973
Vázlat / Sketch – together with Agnes Hay
1973
Bisztro / Suburb
1972
Tiltakozók / Dissident's
1968
Cipők / Shoes
1967

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