Super 8 reels of Paris catwalks I shot in 1979/1980.

Based on a correspondence between Brazilian artist Ione Saldanha and the filmmaker, this portrait was made for an exhibition at the Museum of Modern Art.

A landscape of flickering memories somewhere between home movies and photo albums.

P.W. shows the context of the artist’s work in Rio and Belo Horizonte in the 50s and the 60s as well as Brasilia at the time of its construction in 1960.

A delightful update of Jacques Tati’s classic Les Vacances de M. Hulot (Mr. Hulot’s Holidays).

A fast-paced, heart-pounding cinephilic farce.

A celluloid aperitif for the summer combining found footage of seashores using the filmmaker’s own archive of coastal material.

A trip to Russia by two filmmakers, in 1990, ends up in a twin-screen projection using their super 8 footage mixed in with archival material.

"Absorb these images, « breathing slowly, quietly, and very calmly. Sinking softly, silently… » Drift into a relaxing reverie."

A freewheeling caper involving Brooklyn boxers and bouncing balls, Catalan dancers and Provençal dogs.

In 10th Century Japan, Sei Shonagon, lady-in-waiting to the Empress, wrote of the goings-on at the Japanese court.

A humorous observation of humans’ and animals’ table manners as they gulp down breakfasts, lunches, cocktails and dinners in a variety of situations.

USA + USSR = U.S.S.A.

In summer, a group of friends rent a house in southern France.

A humorous glimpse at what happens every morning on the wavy sidewalks of Copacabana beach.

A super 8 camera from Paris to Berlin, from Amsterdam to Rio, from Jerusalem to New York shooting only at night.