What if the danses macabres, beyond their grimacing folklore, staged the death of the Middle Ages and the invention, in the middle of the 15th century, of modern Europe?

At 30, with not much of a job, and too timid in love, Rémi is a little lost in life until the day he has to share it with his doppelgänger, another him, who is overbearing and not very nice. Which one is the real Rémi?

Created at irregular intervals, Pierre Léon’s small oeuvre oscillates between experimental home movie and theatrical mise-en-scène, found footage and documentary assemblages.

A portrait of Jean-Claude Biette, a filmmaker as confidential as he was essential, author of Théâtre des Matières and Saltimbank, critic for Cahiers du cinéma, founder with Serge Daney of the magazine Trafic, but also an actor, music lover, entertainer and friend.

Prince Myshkin (“the idiot”), who has just returned to Russia, suddenly bursts into a soirée where nobody is expecting him...

Two sons, Pierre and Vladimir, question their father, Max Léon, about his biography in a domestic environment.