Who is this dwarf called Son Of God? Mystic midget healer. Is he trickster or shaman? Freak or messiah?

The most prominent internationally-acclaimed and wildly divergent digital filmmakers from the Philippines answer questions on filmmaking and beyond...

After losing his job, a man starts walking aimlessly through Manila. Pushed on by existential fears, he feels magically drawn to horses, to the point that his obsessive fixation finally leads him to lose complete control over himself...

Squatterpunk shows something of life in the slums in a quite special way. It shows how poor, forgotten and ignored children can have a good time.

Seven men in multi-coloured cloths wrapped between the legs and worn as a symbol of ethnicity pretend to be the descendents of majestic native rulers and village idiots and attired as such experience a series of bizarre incidents in the big city.

The winning film at the Oberhausen short film festival, Rugby Boyz presents a disturbing and compressed portrait of life in a poor neighbourhood in a Philippine town, where among the shacks the only source of entertainment for children is karaoke, rugby, and sniffing paint thinner.

The film Our Daily Bread takes place in the slums and captures a day in the life of one family that makes a living collecting garbage in the streets. Poverty is the highest degree of futility, the consummate absence of freedom.

The quick shots present life in a home in the suburbs and simultaneously come together in a kind of hallucinated reality to compose a portrait of the artist.

Can & Slippers serves as a two-minute example of the art of football while running through the narrow streets of the poor neighbourhood to the dump that surrounds it.