Three circular panoramas follow on from each other in three interiors. With each rotation of the camera, a limitless intimate world is born, dies, resurrects.

"I met Pierre 25 years ago as I happened to put up my booth, next to his on the market. He was selling chicken and eggs, I was selling flowers and honey."

From his father, Pierre inherited a wood that he looks after and a cabin, where Pierre now enjoys spending time alone with his dog.

Two sequences of flowers picked like in a herbarium, emphasized by the voice of villages and the chants of monasteries.

“It was on Foula, the furthest island from the main island, that we ran into Jovan. Or rather he ran into us...

"Before I met Jean Lambert, I used to see his house, his farm, and I wondered how anybody could live in such a mess, on such a neglected property...

“I hear a lot about Yves Edouard. A farmer and cereal grower, producer of endives, everybody describes him as unique: quick-tempered, eccentric, chaotic; a character straight out of a novel.

I consider Le Vicinal to be my first film, shot while I lived in Pays de Caux, after art school. It was also my only experience shooting on rolls of film...