Sasha Waters Freyer
(United States)

The films of Sasha Waters are nothing short of groundbreaking. Her feminist portrait of three New York dominatrixes – Whipped – funded in part by Sub Pop Records – was selected for the first-ever Sundance Producers conference. More recently, Garry Winogrand: All Things are Photographable, was called one of the year's best by The New Yorker and won a Special Jury Prize at the SXSW Film Festival. Her short experimental and essay films have been exhibited at Kassel Dokfest, Rencontres Internationales Paris/Berlin* Microscope Gallery, Anthology Film Archives, the Telluride Film Festival, and the Rotterdam, Tribeca, Ann Arbor, Woodstock, Chicago Underground, and Big Sky Documentary Film Festivals among other international venues. Sasha is currently completing a concert documentary Trouble Don’t Last ¬¬¬¬– part love letter, part eclectic gospel mix tape –sparked by her quest to rescue from obscurity the 1984 unfinished film about the Soul Stirrers by iconic American artist Bruce Conner.

Garden of Stone
A Partial History of the Natural World
Burn Out the Day
An Incomplete History of Pornography, 1979
An Incomplete History of the Travelogue, 1925
Our Summer Made Her Light Escape
Chekhov for Children
You Can See the Sun in Late December
This American Gothic
Her Heart is Washed in Water & then Weighed
The Waiting Time
Razing Appalachia
This Existence is Material
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