Ignacio Agüero: This is How I Like It

The film is about the relationship of a filmmaker with the corner of his house. A new building has changed the life of the neighborhood and has also interrupted the vision he had of the Provincia hill and the Andes mountain range.

A documentary about a film workshop for children given by Alicia Vega, a teacher in a marginal quarter of Santiago, to kids whose common characteristic is that they have never been to the movies.

A tender film about the passing of time and the transformation of a space where minor and major events occur: a death and a birth; neighborhoods disappearing; buildings being demolished and built; winters and springs passing.

The director follows the movement of the sun that enters through the windows of his house and illuminates various objects.

Like Moby Dick’s Ishmael, a sailor takes a ship and goes from Antarctica to Spain, in a trip that transports an iceberg to Seville for the World Fair of 1992. In this voyage, mysterious things will happen, making him a victim of the hidden forces of icebergs.

Chilean documentary maker Ignacio Aguero is working on his first long feature fiction film based on an old documentary project in an island in Chiloé.

Director Ignacio Agüero interrupts the production of a film that is taking place in Chile during 1984 to ask the filmmakers what is the point of filming in Chile under the Pinochet dictatorship.

In Como De la Gana – shot during Pinochet’s dictatorship – Agüero asked his colleagues about what they were filming and whom they made their work for. Thirty years later, now with Chile under a democratic rule, the question has changed to “What is the essence of cinema?”

In a rural site in Lonquén, a place near Santiago, and hidden inside a mining furnace, the bodies of 15 peasants were found. They had been detained by the police in 1973, a few days after the military coup. Their relatives searched for them for 6 years...

The inhabitants of the Villa Alegre town, in the central zone of Chile, come together to investigate the history of their town, then put it on stage as a production.

A documentary about the complicity of the newspaper El Mercurio in the military coup of 1973 and in the crimes of the Pinochet dictatorship, in an investigation carried out by 5 journalism students that leads to the dismantling of the press montages made by the newspaper.

A construction worker tells about his work as a plasterer in times when houses in entire neighborhoods are demolished to build new commercial zones, all as as part of a new economic structure designed by the dictatorship of Pinochet.