An animated miniature of the devastated wasteland of a metropolis is strikingly reminiscent of a war-themed computer game. The video refers to the notion of warfare and the collapse of order in popular culture and new media, and examines in detail the retroactive effect of these images on reality.

The film presents a version of the future where everyone has received a neuronal interface, known as a brainchip. This chip enables direct mental interaction with external computers...

The film centres around a single excerpt from a news video, taken off the internet. The clip is of a family hiding behind a wall in a neighbourhood in Beirut, Lebanon. The neighbourhood has become a warzone...

‘Report’– this inconspicuous button with a flag icon appears underneath every single YouTube video we watch marking the limits of our freedom on the internet. Once flagged by anonymous users, after being checked by the also anonymous YouTube team, a video quickly disappears forever. In exactly this process, Dominic Gagnon intervenes...

A film about today’s relationship between humans and technology...

The so-called raumplan, special space-structuring in the Muller's Villa in Prague, respecting function and symbolical importance of each room in the house, was Adolf Loos's specific understanding of functionalism. We build the Villa from thoughts: the film mirrors particular changes in mathematics, cinema and in the social role of media.

In the maritime boarding school IBIS in Ostend (BE), boys learn how to read the sea and work on a fishing boat. They look at the sea, captured in maps. On sea maps, there are no storms and there is no time. But the sea is capricious and her face is always changing.

This film captures footage of parents talking to their kids about their experiences during the Velvet Revolution. We want to show how we ourselves experienced that day, our perceptions of the demonstration - which we assumed was just another demonstration, not the deciding event of a Revolution...

Roman Furst and Karel Tomek’s I Am for a Human Face – their film about Evžen Plocek, the third human torch of 1969 – was made that same year and managed to win county and regional amateur film contests before the two Jihlava filmmakers hid it for the long period of Normalization.

In Mexico, first prize winner at Oberhausen Short Film Festival, we are taken to Mexico City and back to Toronto in a timeless, beautifully filmed and paced journey through the 'New World Order’ with images of bullfights, dinosaur graveyards, aquariums, tourists climbing the Aztec Pyramids and the belching smoke of a North American factory polluting the Mexican jungle.

Bombay, Mexico City, Moscow, New York: seductive yet repellent monsters. The contrast is omnipresent in the daily lives of those who populate theses megacities.

Summer of Goliath is a documentary/fiction hybrid that narrates various stories of the people of the town of Huilotepec in rural Mexico...

The memory and testimony of two characters: Fernando García, known as Pinolito, who was a child actor in the seventies, and Doña Lilia Ortega, his mother, an actress...

The film portrays two old shepherd´s tragic life. Through the encounter with Idalina and Brazida, which leads us to a reflection on the human struggle with fate, nature and mankind.

Hardcore techno music, repetitive loops of images from the 1955 movie ‘The Ten Commandments’, international TV news broadcasts of 2006 Israel-Hezbollah war in Lebanon, and a video documentation of a belly dancer in the desert, become an apocalyptic Middle East horror rave party, addressing Middle East war and myths representations of in Western media, and the fetishisation of images of war and religion in mass media.

In a flickering TV image we see a happy family on a beach, as 100 km away a girl frantically runs on a bombed beach in Gaza. The happy family is shown in a rapidly speeding stream of still images, while the girl is filmed in video, gradually taking over the screen, creating a growing impact of shock and horror, until the girl dissolves in TV noise and becomes a news report.

A work made while living in New York City. Two images appeared on my TV screen: An Israeli soldier being lynched in Ramallah, a Palestinian child and his father being fired at in Gaza. How can horror be constructed in words? It's a schizophrenic situation - two sides trapped in a cycle of violence. Being in a personal schizophrenic state as well, watching this in New York - not here nor there. Are these images real? Are any images real?

The combination of image manipulation and suggestive music turns journalistic footage of an extreme encounter between a young woman and a group of soldiers into a scene from a dramatic story. If the soldiers weren’t aiming their weapons at her, the choice of shots and the scene’s mood could almost be called romantic...

A radiant, raging girl is shouting and punching the empty space in front of her. She is roughly cut out from her surroundings by a computer algorithm struggling to contain her, and her enemies are erased from the frame. The work is based on a found YouTube video of a Palestinian girl resisting an Israeli soldier. The video-processing highlights the scene as image, both of a fight for freedom, and a media event.

Having grown up first in Poland and then in Austria, Jola Wieczorek embarks on a search for the life she left behind in her old homeland. To accompany the poetic images she drafts a letter to her Polish alter ego, which remains a speculation, sometimes also a stereotype, away from the shared memories of early childhood. A dialogue with a faded mirror image.