Stories of partner relationships serve as a basis for the research of conscience/ousness and its relation to reality; shot, however, as a suicide attack on the belief in the verity of the documentary (which is a reality deforming dogma). Thus the love peripeties of a father bringing up his two daughters become an experimental verification of film theories; as the script was co-authored by C.G. Jung, Epstein, Kracauer, Balázs, Vertov, Bazin, Metz and Deleuze.
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