Cave Painting leads us to real natural phenomena that have been shaped by civilization. A seemingly spherical thunderstorm of individual images leads us to a rock face whose interior opens pulsatingly. The dizzying expedition along rock structures and cavities is increasingly determined by colors, contrasting lighting, three-dimensional effects, and illusions of movement. Fruhauf understands the cinema experience as cave exploration. In this dream-like etude, human traces from an unimaginably distant past appear as an intensified vision of the origin of painting.
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