A short poetic essay depicting a young girl, Faustine, explores the relationship between the director and the protagonist and how the film camera, as a silent, omnipresent mediator, defines it. With a certain amount of self-reflection, the film understands documentary film as a medium that has a dominant power over the subjects it captures by locking their souls and likenesses forever into the cinematic image.
“The act of looking becomes tangible through technology, superstitions and phantasmic vision. A film, it states, is a space that takes a real-life person hostage, engulfs, and seals them in forever.”
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