Sacris Puls departs from the dismemberment of another film, Brasiliários (1985). Brasiliários is an interpretation of Clarice Lispector’s chronic “Brasília”, her vision of the modernist capital, as it is the film that marks the encounter of my mother, playing Lispector, and my father, composer of the film’s sound score. Through the juxtaposition of Brasiliários with a series of reassembled found footage, the film takes the form of a voyage of remembrance and flight, of past and future time sewed between personal and collected materials, memory and fiction. (Ana Vaz)
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