The film is a double portrait with children in the background. The grandmother and the mother differ in their moral assessment of in vitro fertilisation, which is important inasmuch as two grandsons were born thanks to this method. The convictions of one of them cannot be reconciled with the decisions of the other. The toughening of the older woman’s position, in particular, locks them both in an ideological clinch. But the difficult conversation about the possibilities of reuniting love, faith and ideology is still going on.
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