Věra Chytilová made her professional film debut with this 1962 fictional documentary set in the women’s boarding house of a textile factory, and told through the eyes of new apprentice Eva Gálová. The soft-spoken Moravian gradually gets to know her flatmates. She forms the closest relationship with Jana, who has discipline problems, and eventually receives a one-month ultimatum from the works council to improve her conduct. As part of the film’s experimental narrative structure, Eva remains invisible to the viewer – she does not step before the camera, and does not communicate with the protagonists of the story; but she does comment on events via internal monologues (this “invisible” figure was dubbed by Helga Čočková). The original, socially relevant story utilises a subjective cinéma vérité style courtesy of lighting cameraman Jaromír Šofra, coupled with an edgy, unsentimental, modernist script from writer-director Chytilová.
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