In 1948, Édith Piaf offers his first camera to Charles Aznavour, a Paillard that he'll keep forever. Until 1982, Charles filmed hours of reel, as he would have kept a diary. Aznavour films his life and lives as he films. Wherever he goes, his camera is there with him, recording everything, the key moments of his life, his travels, his friends, his loves, his boredom. A few months before he passed, he began, together with Marc di Domenico, the derushing of these films and decided to make a film, his film.
Introduction by the director Marc di Domenico
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